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The Bell Fund


About The Susan Groag Bell Publication Fund in Women’s History

Susan Groag Bell

The Susan Groag Bell Publication Fund in Women’s History honors the scholarly achievements and memory of Susan Groag Bell (1926-2015). Bell was a pioneering women's historian affiliated with Stanford for many years. A longtime member of Stanford’s Clayman Institute for Gender Research, Bell’s research and publications ranged widely across many aspects of women’s history, including, in particular, the fifteenth and sixteenth century and the author Christine de Pizan, the subject of her last major book The Lost Tapestries of 'The City of Ladies': Christine de Pizan’s Renaissance Legacy.

In keeping with Bell’s lifelong work, the Bell Fund supports the publication of scholarship that furthers the study of women’s and gender history. Books underwritten by the Bell Fund build upon the Press’s tradition of scholarly excellence and its commitment to producing books that will endure the test of time.


Gifts to The Susan Groag Bell Publication Fund in Women’s History may be mailed to:

Stanford Libraries Development Office
Cecil H. Green Library
557 Escondido Mall
Stanford, CA 94305-6004

To discuss contributing, please email or call Gabrielle Karampelas, Director of Library Development and Communications, at gkaram@stanford.edu or 650.497.4414.

Books published with support from the Bell Fund include:


cover for Sensitive Witnesses: Feminist Materialism in the British Enlightenment | Kristin M. Girten
Sensitive Witnesses
Feminist Materialism in the British Enlightenment
Kristin M. Girten
2024

Kristin M. Girten tells a new story of feminist knowledge-making in the Enlightenment era by exploring the British female philosophers who asserted their authority through the celebration of profoundly embodied observations, experiences, and experiments. This book explores the feminist materialist practice of sensitive witnessing, establishing an alternate history of the emergence of the scientific method in the eighteenth century. Francis Bacon and other male natural philosophers regularly downplayed the embodied nature of their observations. They presented themselves as modest witnesses, detached from their environment and entitled to the domination and exploitation of it. In contrast, the author-philosophers that Girten takes up asserted themselves as intimately entangled with matter—boldly embracing their perceived close association with the material world as women. Girten shows how Lucy Hutchinson, Margaret Cavendish, Aphra Behn, Eliza Haywood, and Charlotte Smith took inspiration from materialist principles to challenge widely accepted "modest" conventions for practicing and communicating philosophy. Forerunners of the feminist materialism of today, these thinkers recognized the kinship of human and nonhuman nature and suggested a more accessible, inclusive version of science. Girten persuasively argues that our understanding of Enlightenment thought must take into account these sensitive witnesses' visions of an alternative scientific method informed by profound closeness with the natural world.

cover for No Longer Ladies and Gentlemen: Gender and the German-Jewish Migration to Mandatory Palestine | Viola Alianov-Rautenberg
No Longer Ladies and Gentlemen
Gender and the German-Jewish Migration to Mandatory Palestine
Viola Alianov-Rautenberg
2023

For the sixty thousand German Jews who escaped Nazi Germany and found refuge in Mandatory Palestine between 1933 and 1940, migration meant radical changes: it transformed their professional and cultural lives and confronted them with a new language, climate, and society. Bridging German-Jewish and Israeli history, this book tells the story of German-Jewish migration to Mandatory Palestine/Eretz Israel as gender history. It argues that this migration was shaped and structured by gendered policies and ideologies and experienced by men and women in a gendered form—from the decision to immigrate and the anticipation of change, through the outcomes for family life, body, self-image, and sexuality. Immigration led to immediate transformations in allocations of tasks within the family, concepts of masculinity and femininity, and participation in the labor market and domestic life. Through a close examination of archival materials in German, English, and Hebrew, including administrative records, personal documents, newspapers, and oral history interviews conducted by the author, this book follows Jewish migrants along their journey from Germany and into the workplaces, living rooms, and kitchens of their new homeland, providing a new perspective on everyday life in Mandatory Palestine. Viola Alianov-Rautenberg's work illuminates key issues at the intersection of migration studies, German-Jewish studies, and Israeli history, demonstrating how the lens of gender enriches our understanding of social change, power, ethnicity, and nation-building.

cover for Daughter of History: Traces of an Immigrant Girlhood | Susan Rubin Suleiman
Daughter of History
Traces of an Immigrant Girlhood
Susan Rubin Suleiman
2023

A photograph with faint writing on the back. A traveling chess set. A silver pin. In her new memoir, noted scholar and author Susan Rubin Suleiman uses such everyday objects and the memories they evoke to tell the story of her early life as a Holocaust refugee and American immigrant. In this coming-of-age story that probes the intergenerational complexities of immigrant families and the inevitability of loss, Susan looks to her own life as an example of how historical events shape our private lives. After the Nazis marched into Hungary in 1944, five-year old Susan learned to call herself by a Christian name, hiding with false papers in Budapest with her parents. While her relatives in the provinces would be among the 450,000 Hungarian Jews deported to Auschwitz, Susan's close family survived and even thrived in the years following the war. But when the Communist Party took over Hungary, Susan and her parents emigrated to Chicago by way of Vienna, Paris, Haiti, and New York. In her adult life as a prominent feminist professor, she rarely allowed herself to think about these chapters of her past—but eventually, when she had children of her own, she found herself called back to Budapest, unlocking memories that would change the direction of her scholarship and career. At the center of this richly textured memoir is a little girl who grows up happy despite the traumas of her early years, surrounded by a loving family. As a teenager in the 1950s, she is determined to become "100% American," until a post-college year in Paris leads her to realize that her European roots and Americanness can coexist. At once an intellectual autobiography and a reflection on the nature of memory, identity, and home, Daughter of History invites us to consider how the objects that underpin our lives become gateways to our past.

cover for Years of Glory: Nelly Benatar and the Pursuit of Justice in Wartime North Africa | Susan Gilson Miller
Years of Glory
Nelly Benatar and the Pursuit of Justice in Wartime North Africa
Susan Gilson Miller
2021

The compelling true story of Nelly Benatar—a hero of the anti-Fascist North African resistance and humanitarian who changed the course of history for the "last million" escaping the Second World War. When France fell to Hitler's armies in June 1940, a flood of refugees fleeing Nazi terror quickly overwhelmed Europe's borders and spilled across the Mediterranean to North Africa, touching off a humanitarian crisis of dizzying proportions. Nelly Benatar, a highly regarded Casablancan Jewish lawyer, quickly claimed a role of rescuer and almost single-handedly organized a sweeping program of wartime refugee relief. But for all her remarkable achievements, Benatar's story has never been told. With this book, Susan Gilson Miller introduces readers to a woman who fought injustice as an anti-Fascist resistant, advocate for refugee rights, liberator of Vichy-run forced labor camps, and legal counselor to hundreds of Holocaust survivors. Miller crafts a gripping biography that spins a tale like a Hollywood thriller, yet finds its truth in archives gathered across Europe, North Africa, Israel, and the United States and from Benatar's personal collection of eighteen thousand documents now housed in the US Holocaust Museum. Years of Glory offers a rich narrative and a deeper understanding of the complex currents that shaped Jewish, North African, and world history over the course of the Second World War. The traumas of genocide, the struggle for anti-colonial liberation, and the eventual Jewish exodus from Arab lands all take on new meaning when reflected through the interstices of Benatar's life. A courageous woman with a deep moral conscience and an iron will, Nelly Benatar helped to lay the groundwork for crucial postwar efforts to build a better world over Europe's ashes.

cover for Before Trans: Three Gender Stories from Nineteenth-Century France | Rachel Mesch
Before Trans
Three Gender Stories from Nineteenth-Century France
Rachel Mesch
2020

A fascinating exploration of three individuals in fin-de-siècle France who pushed the boundaries of gender identity. Before the term "transgender" existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity. Dieulafoy fought alongside her husband in the Franco-Prussian War and traveled with him to the Middle East; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous in the 1880s for her controversial gender-bending novel Monsieur Vénus, published around the same time that she started using a calling card that read "Rachilde, Man of Letters." Montifaud began her career as an art critic before turning to erotic writings, for which she was repeatedly charged with "offense to public decency"; she wore tailored men's suits and a short haircut for much of her life and went by masculine pronouns among certain friends. Dieulafoy, Rachilde, and Montifaud established themselves as fixtures in the literary world of fin-de-siècle Paris at the same time as French writers, scientists, and doctors were becoming increasingly fascinated with sexuality and sexual difference. Even so, the concept of gender identity as separate from sexual identity did not yet exist. Before Trans explores these three figures' lifelong efforts to articulate a sense of selfhood that did not precisely align with the conventional gender roles of their day. Their intricate, personal stories provide vital historical context for our own efforts to understand the nature of gender identity and the ways in which it might be expressed.

cover for A Miscarriage of Justice: Women’s Reproductive Lives and the Law in Early Twentieth-Century Brazil | Cassia Roth
A Miscarriage of Justice
Women’s Reproductive Lives and the Law in Early Twentieth-Century Brazil
Cassia Roth
2020

A Miscarriage of Justice examines women's reproductive health in relation to legal and medical policy in Rio de Janeiro, Brazil. After the abolition of slavery in 1888 and the onset of republicanism in 1889, women's reproductive capabilities—their ability to conceive and raise future citizens and laborers—became critical to the expansion of the new Brazilian state. Analyzing court cases, law, medical writings, and health data, Cassia Roth argues that the state's approach to women's health in the early twentieth century focused on criminalizing fertility control without improving services or outcomes for women. Ultimately, the increasingly interventionist state fostered a culture of condemnation around poor women's reproduction that extended beyond elite discourses into the popular imagination. By tracing how legal thought and medical knowledge became cemented into law and clinical practice, how obstetricians, public health officials, and legal practitioners approached fertility control, and how women experienced and negotiated their reproductive lives, A Miscarriage of Justice provides a new way of interpreting the intertwined histories of gender, race, reproduction, and the state—and shows how these questions continue to reverberate in debates over reproductive rights and women's health in Brazil today.

cover for Khartoum at Night: Fashion and Body Politics in Imperial Sudan | Marie Grace Brown
Khartoum at Night
Fashion and Body Politics in Imperial Sudan
Marie Grace Brown
2017

In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.