Photography and Its Shadow
Hagi Kenaan

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ILLUSTRATION CREDITS

Frontispiece William Eggleston, Glass in Airplane, c. 1971–1974. Dye transfer print. 30 × 20 1/2 inches. 76.2 × 52.1 cm. © William Eggleston. Courtesy of David Zwirner Gallery.

Figure 1 Gustave Le Gray, Forest Scene, Forest of Fontainebleau, ca. 1855. Courtesy of the Getty’s Open Content Program.

Figure 2 Eastman Kodak Company, advertisement, If You Want It—Take It—With a Kodak. If It Isn’t an Eastman, It Isn’t a Kodak, 1900. Courtesy of the George Eastman Museum.

Figure 3 Frederick W. Barnes, advertisement for Kodak photography, 1905. Courtesy of the George Eastman Museum.

Figure 4 Camille Corot, The Meadow, Souvenir of Ville d’Avray, 1869–1872. Oil on canvas. Musée d’Orsay, Paris. Art Resource.

Figure 5 Hagi Kenaan, Face in a Tree, Pennsylvania 2017.

Figure 6 Eugène Atget, Saint-Cloud, 1915–1919. Courtesy of the Getty’s Open Content Program.

Figure 7 Louis Daguerre, Fossils and Shells, ca. 1839. Musée des Arts et Métiers, Paris.

Figure 8 Hiroshi Sugimoto, PPTRD 028, 2008. © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco.

Figure 9 W. H. F. Talbot, A Peony Leaf Above Leaves of a Species of Chestnut. Courtesy of the Met’s Public Access Initiative.

Figure 10 W. H. F. Talbot, Photomicrograph of Insect Wings, ca. 1840. Public domain. Courtesy of the National Science and Media Museum, Bradford.

Figure 11 Joseph-Benoît Suvée, The Invention of Drawing, 1791. Black and white chalk on brown paper. Courtesy of the Getty’s Open Content Program.

Figure 12 Jean Raoux, The Origin of Painting, 1714–1717. Oil on canvas. Private collection, Paris.

Figure 13 Joseph Wright of Derby, The Corinthian Maid, 1782–1785. Oil on canvas. Courtesy of the National Gallery of Art, Washington, D.C.

Figure 14 Giorgio de Chirico, Nostalgia of the Infinite, 1911. Oil on canvas. The Museum of Modern Art, New York. Art Resource and Artists Rights Society.

Figure 15 Oscar Gustav Rejlander, The First Negative, 1857. Musée d’Orsay, Paris. Art Resource.

Figure 16 Karen Knorr, The Pencil of Nature, 1994. Courtesy of the artist.

Figure 17 W. H. F. Talbot, Lace, 1845. Courtesy of the National Gallery of Art, Washington, D.C.

Figure 18 Lee Friedlander, Central Park, New York City, 1992. © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco.

Figure 19 Stephen Shore, Amarillo, Texas, August 1973. © Stephen Shore. Courtesy 303 Gallery, New York.

Figure 20 W. H. F. Talbot, The Haystack, 1844. Courtesy of the National Gallery of Art, Washington, D.C.

Figure 21 W. H. F. Talbot, Lacock Abbey in Wiltshire, 1844. Courtesy of the Met’s Public Access Initiative.

Figure 22 W. H. F. Talbot, Sketch of Lake Como, 1833. Public domain.

Figure 23 Henri Cartier-Bresson, Pilgrimage: India, Tamil Nadu, Madras, 1950. Magnum Photos.

Figure 24 Henri Cartier-Bresson, Sicily, Palermo, 1971. Magnum Photos.

Figure 25 Apollo 17, The Blue Marble, December 7, 1972. Public domain.

Figure 26 Barbara Probst, Exposure #39. NYC, 545 8th Avenue. 03.23.06. 1:17 p.m. Courtesy of the artist.

Figure 27 Paul Strand, Double Akeley, New York, 1922. © Aperture Foundation, Inc., Paul Strand Archives.

Figure 28 Jennifer Abessira, The New Order, #Elastique Project, 2015. Courtesy of the artist.

Figure 29 Nan Goldin, Nan and Brian in Bed, New York City, 1983. © Nan Goldin, Courtesy of Marian Goodman Gallery.

Figure 30 Sophie Calle, The Divorce, 1992. © Sophie Calle. ADAGP.

13_IV__PHOTOGRAPHY_S_GOODBYES.html#id_507">Figure 31 Sophie Calle, The Giraffe, 2012. © Sophie Calle. ADAGP.

Figure 32 Hagi Kenaan, Goodbye Berlin, 2018.

Figure 33 Antonio da Correggio, The Abduction of Ganymede, ca. 1531–1532. Oil on canvas. Kunsthistorisches Museum, Vienna. Lessing Culture and Fine Arts Archive.