STANFORD
UNIVERSITY PRESS
  



From Split to Screened Selves
French and Francophone Autobiography in the Third Person
Rachel Gabara

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Contents
Acknowledgments
Introduction
Part I: Split Selves: French Autobiography in the First, Second, and Third Persons
1Autobiography of Himself: Roland Barthes by Roland Barthes by Roland Barthes
2Internal Conversation: Nathalie Sarraute's Childhood
Part II: Autobiography in Images: From Photography to Film
3Seeing Autobiography: From Camera Lucida to the Cinema
4Screening Autobiography: Cyril Collard's Savage Nights
Part III: Francophone Autobiography: Selves and Others, Words and Images
5(Un)Veiling Herself? Assia Djebar in Love, an Algerian Cavalcade
6AutoBiographical Third Cinema: David Achkar's Allah Tantou and Raoul Peck's Lumumba: Death of the Prophet
Conclusion
Notes
Index