The Politics of Grace in Early Modern Literature
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This book tells the story of how early modern poets used the theological concept of grace to reimagine their political communities. The Protestant belief that salvation was due to sola gratia, or grace alone, was originally meant to inspire religious reform. But, as Deni Kasa shows, poets of the period used grace to interrogate the most important political problems of their time, from empire and gender to civil war and poetic authority. Kasa examines how four writers—John Milton, Edmund Spenser, Aemilia Lanyer, and Abraham Cowley—used the promise of grace to develop idealized imagined communities, and not always egalitarian ones. Kasa analyzes the uses of grace to make new space for individual and collective agency in the period, but also to validate domination and inequality, with poets and the educated elite inserted as mediators between the gift of grace and the rest of the people.
Offering a literary history of politics in a pre-secular age, Kasa shows that early modern poets mapped salvation onto the most important conflicts of their time in ways missed by literary critics and historians of political thought. Grace, Kasa demonstrates, was an important means of expression and a way to imagine impossible political ideals.
—Brian Cummings, University of York
"Kasa reveals the dynamics at play in a Protestant literary culture in which ideas of empire, nation and individual agency were imagined anew. An important contribution to our understanding of political and religious thought as well as to literature studies."
—Sarah Mortimer, University of Oxford
"A very fine and insightful book, highly recommended to all who study the 17th century."—Cliff Cunningham, Sun News Austin
"Deni Kasa's illuminating new study performs a series of readings that excavate a shared religio-political vocabulary of grace in a temporally broad swath of early modern English poetry."—Nicholas Dolan, Literature and Theology
"The Politics of Grace effectively demonstrates the centrality of the concept of grace to a well-defined canon of poets. The book will interest historians for its development of the role of poetry in theological and political debates in the early modern period in England."—Scott Robinson, Journal of Religious History