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Cloth ISBN: 9780804759076
Paper ISBN: 9780804759083
Hélène Cixous is arguably the most insightful and unbridled reader of Jacques Derrida today. In Insister, she brings a unique mixture of scholarly erudition, theoretical speculation, and breathtaking textual explication to an extremely close reading of Derrida's work. At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers.
In a melodic stream-of-consciousness Cixous speaks to Derrida, to his memory and to the words he left behind. She delves into the philosophical spaces that separated them, filling them out to create new understandings, bringing Derrida's words back to life while insisting on our inability to ever truly communicate through words. "More than once we say the same words," Cixous writes, "but we do not live them in the same tone."
Insister of Jacques Derrida joins Veils, the two loosely autobiographical texts of Derrida and Cixous published together by Stanford in 2001.
About the author
Hélène Cixous is Emeritus Professor of Literature at the Université de Paris VIII. One of the most celebrated contemporary writers and theorists,
her recent publications in English include Dream I Tell You (2006), Portrait of Jacques Derrida as a Young Jewish Saint (2004), Hélène Cixous: The Writing Notebooks (2004), and Veils (Stanford, 2001).
"I have often declared my admiration for Hélène Cixous, for the person and for the work: immense, powerful, so multiple but unique in this century."
"Insister of Jacques Derrida, so expertly translated by Derrida's principal and most faithful translator, Peggy Kamuf, is an indispensable, daring, heartfelt and moving book. It presents a flawless, committed reading that is in the spirit of Derrida in its serious playfulness, its poetic sinuousness, its elegant reasoning and rhetoric while also being wholly in Cixous' own singular voice. This is not merely a study of Derrida, it is a haunting dialogue with his memory and with his phantom."
—Julian Wolfreys, Loughborough University