Through close engagement with the work of Wordsworth, Austen, and Byron, The History of Missed Opportunities posits that the everyday first emerged as a distinct category of experience, or first became thinkable, in the Romantic period. Conceived here as something overlooked and only noticed in retrospect, the everyday not only becomes subject matter for Romanticism, it also structures Romantic poetry, prose, and writing habits. Because the everyday is not noticed the first time around, it comes to be thought of as a missed opportunity, a possible world that was not experienced or taken advantage of and of whose history—or lack thereof—writers become acutely conscious.
Consciousness of the everyday also entails a new relationship to time, as the Romantics turn to the history of what might have been. In recounting Romanticism's interest in making things recurrently present, in recovering a past of what was close at hand yet underappreciated, William H. Galperin positions the Romantics as precursors to twentieth-century thinkers of the everyday, including Heidegger, Benjamin, Lefebvre, and Cavell. He attends to Romantic discourse that works at cross purposes with standard accounts of both Romanticism and Romantic subjectivity. Instead of individualizing or turning inward, the Romantics' own discourse depersonalizes or exhibits a confrontation with thing-ness and the material world.
About the author
William H. Galperin is Distinguished Professor of English at Rutgers University and the author of The Historical Austen (2003).
"Saying more than some books twice its size, Galperin's book is an imaginative and savvy piece of scholarship and criticism."
—Orrin Wang, University of Maryland
"Galperin's reassessments of Wordsworth and Austen make familiar texts new again, and his discussion of Byron is utterly compelling. The History of Missed Opportunities offers insights aplenty, some truly stunning readings, and a tremendous provocation to the field."
—Deidre Lynch, Harvard University
"Philosophically adventurous and stylistically exacting, as well as frequently entertaining, Galperin's idiosyncratic rereadings form a genuinely new characterization of British Romanticism."
—Tristram Wolff, Nineteenth-Century Contexts